论“逾墙幽会”情节模式在元曲爱情戏的运用

On the Application of the Plot Mode of "Tryst over the Wall" in the Love Drama of Yuan Opera

“逾墙幽会”是元曲爱情戏中的重要环节,最早可追溯到《诗经》,《西厢记》开后世才子佳人在后花园“逾墙幽会”程式化序幕。古时婚姻讲求“父母之命、媒妁之言”,男女无法自由恋爱。女性活动范围狭窄,局限于后花园,这为男女“逾墙幽会”提供了现实基础。在前人文献的基础上,以“逾墙幽会”情节模式为切入点,重新解读元曲爱情戏,不仅为元曲爱情戏提供新的研究角度,还可以为今日的爱情文学提供新的素材来源。

In ancient times,marriage emphasized"the orders of parents and the words of matchmakers",and men and women could not pursue their own love.Women abide by the three obedience and four virtues,and their activities are limited to the back garden,which provides a realistic basis for men and women's"over the wall tryst"."Over the wall tryst"is an important bridge for free love between men and women.It can be traced back to the Book of Songs,Zheng Feng and Jiang zhongzi.With the development of the times,its connotation and meaning have been reinterpreted.The plot mode of"over the wall tryst"has been widely used in the love drama of the Yuan Opera.The plot mode of"over the wall tryst"in the romance of the West Chamber opens the stylized prelude to the"over the wall tryst"of later talents and beauties in the back garden.Based on the previous literature,taking the plot mode of"over the wall tryst"as the starting point,are interpreting the love drama of Yuanqu not only provides a new research perspective for the love drama of Yuanqu,but also provides a new source of material for today's love literature.