当“药神”遭遇“猴神大叔”:新世纪中印现实主义电影比较分析

A Comparative Study of Sino-India Realism Films in the 21st Century

新世纪以来,中国与印度两国的现实主义电影均呈现出蓬勃发展的态势,特别是印度电影取得了长足的发展。不仅深刻地反映社会现实、直面社会问题,彰显了浓厚的人文关怀,饱含着电影人的反思与追问,同时形成了独特的美学特征与鲜明的艺术风格。论文通过对新世纪以来中印现实主义电影的品析鉴赏与比较分析,旨在从中汲取可供我国现实主义电影发展与振兴的启示与灵感,探寻我国电影“走出去”的道路与策略,不断进行艺术创新。

Since the 21st century,both Chinese and Indian realism films present a booming trend,especially Indian realism films have made great progress,profoundly reflecting social problems and highlighting humanism.These films are exquisite in aesthetic characteristics and distinct artistic style.Through the comparative analysis of Sino-India realism films of the 21st century,the paper aims to draw the inspiration from the development and revitalization of Indian realism films,explore the intercultural communication strategy of Chinese films and promote its artistic innovation.