沉默的镌刻:美学“无意识”论的延续及特质探讨

The Silent Engraving:A Research into the Continuation of the Theory of"Unconsciousness"in Aesthetics and of Its Characteristics

雅克·朗西埃作为西方当代艺术理论及后马克思主义哲学方面最重要的学者之一,提出了美学领域的“无意识”论,并尝试以此为现代转向当代的审美变革过程厘清内在逻辑。朗西埃认为对审美无意识行为的阐明是探讨当代美学的前提,并进一步地从现当代艺术的实践中获取了共鸣。本文立足于朗西埃所提出的美学“无意识”论的延续脉络,从理论及实践两方面对美学“无意识”论的特质及其合理性予以探讨,且就未来价值提出个人设想。

Jacques Rancière,as one of the most important scholars on the contemporary western art theory and post Marxist philosophy,put forward the theory of"unconsciousness"in the field of aesthetics.He made tentative effort to clarify the internal logic for the process of aesthetic transformation from modern to contemporary.Jacques Rancière believed that the premise of exploring contemporary aesthetics was to clarify the unconscious aesthetic behavior,and he further gained support from the practice of the modern and contemporary art.On the basis of the development of the aesthetic theory of"unconsciousness"proposed by Rancière,this paper presents a discussion on the characteristics and rationality of the aesthetic theory of"unconsciousness"from both theoretical and practical perspective,and puts forward some assumptions about its future theoretical values.