摘要
本研究以敦煌飞天意象在舞台装中的创新设计研究为主题进行分析与研究,分析飞天形象与飞天意象在舞台装中的联系与创新点。以天人中的乾闼婆与紧那罗为形象设计主体,得出天人由莲花化生—双生—融合的系列设计概念和融合共生的飞天意象。通过探究敦煌飞天意象在当下舞台装中的创新设计与研究,为敦煌飞天意象相关的服饰研究与创作提供可用的素材与可借鉴性的参考。
This research takes the innovative design research of Dunhuang Feitian imagery in stage costumes as the theme for analysis and research,and analyzes the connection and innovation of Feitian image and Feitian imagery in stage costumes.Taking Gandharva and Kinnara as the main body of image design,the series design concept of heaven and human being transformed from lotus-twin-integration and the image of flying sky of fusion and symbiosis are obtained.By exploring the innovative design and research of Dunhuang Feitian imagery in current stage costumes,it provides usable materials and references for the research and creation of Dunhuang Feitian imagery related costumes.
作者
殷楠楠
Yin Nannan(Beihai University Of Art And Design,Beihai Guangxi 236000)
出处
《流行色》
2022年第11期52-54,共3页
Fashion Color
关键词
敦煌飞天
舞台装
创新
融合共生
中国传统文化
Dunhuang Feitian
stage outfit
innovation
integration and symbiosis
traditional Chinese culture