寺山修司电影中的超现实主义色彩美学

Surrealist Color Aesthetics in Shuji Terayama's Films

寺山修司是日本新浪潮时期一位极具个人风格的导演,其电影作品的影像特征呈现出一种超现实主义的表现手法和反叛美学。本文从寺山修司作为“电影作者”身份的个性化表达和独特审美角度,运用文本分析法解读其代表性影片的色彩功能和思想,运用定性分析法提炼其色彩美学表现出的超现实主义影像风格和艺术精神,从中挖掘导演的内心感受、哲思观念以及创作者的奇妙想象力、潜意识隐喻。主要论述了色彩的反常规、超自然表现方式作为寺山修司电影创作中的重要造型元素,在影像语言中所发挥的独特作用,诡异的色调营造出怪诞的氛围,给观众带去直观的视觉冲击和特殊的审美观感体验。

Shuji Terayama was a highly personal director of the Japanese New Wave,whose films are characterized by a surrealistic expression and a rebellious aesthetics.From the perspective of Shuji Terayama's individual expression and unique aesthetics as a"film author",this paper uses textual analysis to interpret the color functions and ideas of his representative films,and qualitative analysis to refine the surrealist image style and artistic spirit expressed by his color aesthetics.So that we can explore the director's inner feelings,philosophical concepts,and the creator's fantastic imagination and subconscious metaphors.The main discussion is on the unique role played by the unconventional and supernatural expression of color as an important stylistic element in the creation of Shuji Terayama's films in the language of video.The eerie hues create a grotesque atmosphere,bringing the audience an intuitive visual impact and a special aesthetic experience.