古代诗歌的“悲愤”情感及其诗学价值

The Emotion of"Grief and Anger"of Ancient Poetry and Its Poetic Value

作为一种文论思想和创作观,司马迁“发愤著书说”开创性地将“愤”的个人情感与诗歌创作及审美联系起来,并被后来的文论家和诗人赋予“悲愤成诗”和“悲愤出诗人”的情感特征。对古代诗人而言,内涵越来越丰富的“悲愤”情感显然在诗歌创作当中构成了他们对人生理想、社会更替及天下命运的本质认知与诗性书写。因而,梳理“发愤著书”文论观点和古代诗人对“悲愤”情感及其相近内涵的阐释与认知谱系,概观古代诗人“悲愤成诗”的审美特征及其书写结构,对探讨古代诗歌风雅、风骨的审美传统和书写经验,呈现古代诗歌中经典之作、传世之作的生成动力与诗学逻辑具有重要意义。

As a kind of literary theory and creative view,Sima Qian’s"Out of Anger Comes Writing"innovatively linked the personal emotion of"anger"with poetry creation and aesthetics,and was endowed by later literary theorists and poets with the emotional characteristics of"grief into poetry"and"grief and anger into poet".For the ancient poets,the increasingly rich connotation of the"grief and anger"emotion obviously constitutes their essential cognition and poetic writing of the ideal of life,social change and the fate of the world in the poetry creation.Thus,combing"anger"viewpoint,the Interpretation and cognitive spectrum of ancient poets’emotions of"grief and anger"and their similar connotations,and summarizing the aesthetic characteristics and writing structure of ancient poets’anger into poetry"are of great significance for exploring aesthetic tradition and writing experience of the elegance and strength of character of ancient poetry and presenting the generation power and poetics logic of ancient poetry classics handed down throughout the ages.