中法宫殿建筑的比较对比研究——以故宫与卢浮宫为例

Study on the Comparison Between Royal Palace of China and France: A Case of Forbidden City and Palais du Louvre

本文通过比较北京故宫与巴黎卢浮宫两座皇家宫殿,从建造历史、营造思路与装饰的角度,试图探究二者之间的异同。虽然故宫与卢浮宫都呈现出轴线对称性与精致繁复的装饰性,但是究其根本,中国在较早完成大一统与文化的融合后,反而使文化不断走向僵化,建筑表达在外来文化的冲击下呈现一定失语的状态。而卢浮宫表现出了法国在对神权与国家外部势力的不断斗争中探索与解放人性与追求理性的努力,并一步步习得了自己的建筑语汇。

By comparing Forbidden City in Beijing and Palais du Louvre in Paris, this paper attempts to explore the similarities and differences between the two palaces from the perspectives of construction history, construction ideas and decoration. Although Palais du Louvre and Forbidden City are both symmetric and decorative architectures, China has experienced society and culture unification well before France, which led to culture rigidness and aphasia in architectural vocabulary under the inflow of foreign culture. Whereas, the core architectural idea of Louvre indicates France’ s efforts in liberating human nature and pursuing rationality through continuous battle of theocracy and external forces.As a result, French architecture has gradually obtained its own architectural vocabulary.