摘要
吕凤子早年书法取法金石、碑版,以“平正”为主要特征;盛年自创“凤体书”,在现代书坛独树一帜;晚年书风归于“舒朗”。吕凤子既是传统碑学的集大成者,也是现代书法艺术形式的开拓者。吕凤子书风的演变显示了鲜明的个人风格,同时也反映了近代以来书法艺术审美思潮的变迁。
In his early years, Lyv Fengzi started with metal inscriptions and stone inscriptions in calligraphic style, “even and straight” as his main features. In the prime of his life, he created his own “Feng style calligraphy”, which is unique in the modern calligraphy world. In his late years, the calligraphic style was attributed to “Shulang”. Lyv Fengzi is not only a master of traditional stele inscriptions, but also a pioneer of modern calligraphy art forms. The development of Lyv Fengzi’s calligraphic style not only shows his distinctive personal style, but also reflects the changes of the aesthetic trend of calligraphy since modern times.
作者
房容
FANG Rong(School of Art and Design,Zhenjiang College,Zhenjiang 212028,China)
出处
《镇江高专学报》
2023年第1期14-17,共4页
Journal of Zhenjiang College
基金
江苏省高校哲学社会科学研究一般项目课题(2021SJA2111)。
关键词
吕凤子
书风
凤体书
Lyv Fengzi
calligraphic style
Feng style calligraphy