摘要
2022年初,第二届南海公共艺术展在佛山南海举办.在首届展览拓展了公共艺术与空间、社群关系的基础之上,第二届展览以"共生的景观"为主题,以新型公共艺术"共生"概念为向导,试图让公共艺术成为一种"微介入"的力量,与景观"共生共长".本文从中国公共艺术发展脉络出发,关注兴起的公共艺术展览机制建立热潮,以"共生的景观"为例指出此类实践的所在场域的特殊性,并分析展览如何将公共艺术的转向和要求落实到特定的语境和场域中,强调公共艺术回应公众诉求的重要性.
At the beginning of 2022,the second Nanhai Public Art Exhibition was held in Nanhai,Foshan.Based on expanding the relationship between public art and space,public art and community,the second exhibition takes the theme of"symbiotic land scape"and takes the concept of"symbiosis"of new public art as the guide,trying to make public art a force of"micro-intervention"to achieve"symbiosis and co-growth"with the landscape.Starting from the development context of Public Art in China,this paper pays attention to the booming establishment of public art exhibition mechanism,takes the"symbiotic landscape"as an example to point out the particularity of the field where such practices are located,and analyzes how the exhibition implements the direction and requirements of public art into a specifc context and field,emphasizing the importance of public art in responding to public demands.
出处
《公共艺术》
2022年第4期102-109,共8页
Public Art
关键词
共生
景观
公共艺术
第二届南海公共艺术展
symbiosis
Landscape
Public art
The 2nd Nanhai Public Art Exhibition