北魏洛阳时代晚期墓葬图像试析

Analysis of the pictorial materials from tombs of the late Luoyang period in the late Northern Wei dynasty

北魏洛阳时代晚期墓葬中集中出现的四神、升仙、神兽、孝子故事等线刻图像,在组合、内容、布局、雕刻技法等方面都显示出极强的时代特色。研究认为,这些图像是在大量吸收汉晋传统、平城艺术、南朝风格等基础上,创设形成的一种新的丧葬艺术模式,是北魏洛阳时代丧葬制度汉化改革的成果。随着北魏分裂,胡化势力抬头,这一系统化重构形成的图像组合形式受到破坏,反汉化的多元艺术风格再次兴起。

The pictorial materials from the tombs of the late Luoyang period in the late northern Wei dynasty,such as four gods,being deity,mythical creatures and stories of filial piety have showed strong characteristics on factors assembly,content,arrangement,techniques,etc.of that time.These are a kind of new burial art pattern based on the Han and Jin’s traditions and art features from Pingcheng and the Southern Dynasties,which are the result of funeral system sinicization when the capital of the Northern Wei had been move to Luoyang.Along with the Northern Wei was split,the former Xianbei influence rise again,diverse art styles rise again,such systematic refactoring had been broken.