浅谈唐代敦煌莫高窟的造像艺术

ON THE SCULPTURE ART OF DUNHUANG MOGAO GROTTOES IN THE TANG DYNASTY

敦煌莫高窟是中国的石窟艺术宝库,至今仍留存着丰富的文化艺术遗产。而唐代是敦煌莫高窟文化艺术发展最鼎盛、造像活动最活跃的一个时期,同时也是敦煌莫高窟造像艺术的代表和里程碑。现今敦煌莫高窟中,唐代建造的造像保存相对完整且数量较多,包含相对丰富的研究对象,对研究敦煌的造像艺术具有代表性的意义。本文从唐代的社会文化背景出发,通过分析敦煌所处的独特地理位置以及人文环境,探讨了唐代敦煌莫高窟造像艺术风格的形成原因以及艺术特征。

Dunhuang Mogao Grottoes are a treasure house of Grotto art in China, which still retains rich cultural and artistic heritage. The Tang Dynasty is a period in which the cultural and artistic development of Dunhuang Mogao Grottoes reached its peak and the sculpture activities were most active. It is also the representative and milestone of Dunhuang Mogao Grottoes sculpture art. At present, the statues built in the Tang Dynasty in Dunhuang Mogao Grottoes are relatively intact and in large number, with relatively rich research objects, which is of representative significance for the study of Dunhuang statue art. This paper starts from the analysis of the social and cultural background of the Tang Dynasty as well as the unique geographical location and cultural environment of Dunhuang, and further explores the art style formation and artistic characteristics of Dunhuang Mogao Grottoes built in the Tang Dynasty.