麦积山4号窟《车马出行图》中“转马”视觉现象解析

Analysis of the Visual Phenomenon of“Revolving Horses”in Trip on Carriage Paintings in Grotto No.4 of the Maiji Mountain

麦积山4号窟北周壁画《车马出行图》中“转马”旋转的视觉现象,是中国石窟壁画中独特的艺术现象。本文从多角度进行解析,提出该壁画通过运用俯视、平视、仰视等不同视点,画面“一心一圈”式的基本框架,以及“转马”在画面中所处的特殊方位等方面的共同作用下,造就了“转马”这一视觉现象的形成。

"Revolving horses"in Trip on Carriage Paintings in Grotto No.4 of the Maiji Mountain,murals created during the Northern Zhou Dynasty,are a unique visual phenomenon of China’s grotto murals.After analyzing from multiple angles,this paper believes that"revolving horses"are formed through the use of front,bottom and top views,the basic structure of"one center and one circle"and the special position of"revolving horses".