写意与理法的统一——吴茀之写意花鸟画刍议

The Unification of Painting Techniques and the State of Following His Heart:On Wu Fuzhi’s Freehand Flower and Bird Paintings

吴茀之是20世纪中国写意花鸟画史上的大家,是中国高等美术教育的耕耘者。他的作品写意与理法相统一,既有文人画笔墨的肆意挥洒,又有造型上的以形写神。本文将吴茀之还原至20世纪的文化背景中,剖析其风格的形成,以及教育思想和艺术成就,以期对当下写意花鸟画创作带来启示。

Wu Fuzhi was a master in the history of freehand flower and bird paintings and cultivator of higher art education in China in 20 th Century.His unification of painting techniques and the state of following his heart features not only unrestrained brushwork of literati paintings,but freehand images that express true feelings.This paper puts Wu Fuzhi in the cultural background of the 20 th Century to analyze the development of his style,his educational philosophies and artistic achievements,so as to provide inspirations for today’s freehand flower and bird paintings.