摘要
文章介绍和剖析了鸡鸣岛海角艺术馆建筑设计实践的全部过程:按照时序层层递进地呈现出建筑师在概念阶段对于场地、功能与几何原型的观察与思考;设计阶段对空间结构的研究,对步移景异的追求和对建筑"正面性"的推敲;深化阶段中对于清水混凝土材料的选择、材料特性与空间关系的把握,与结构机电专业配合过程中对细节问题的刻画,以及最终在建造阶段双面清水混凝土浇筑与防水等技术问题的解决与反思,体现出在一个完整的小型建筑实践过程中对于建筑学本体问题的挖掘、辨析与再思考.
This essay introduces and analyzes the entire process of the architectural design of the Jiming Island Cape Art Gallery.Chronologically,it presents the architects'observation and consideration of the site,functions,and geometric prototypical forms at the conceptual stage;the research on spatial structure,the pursuit of changing sceneries along with shifting viewpoints,and deliberation about the"main facade"at the design stage;the C hoice of bare concrete material,the relationship between material properties and space,details in terms of mechanical and electrical issues at the development stage,and finally at the construction phase that resolving the technical problems of casting and waterproof of double faced bare concrete.The essay reflects on the architects'exploration,differentiation,and reconsideration of architectural ontology through the complete process of a small-scale architectural practice.
出处
《时代建筑》
2022年第4期120-127,共8页
Time + Architecture
关键词
艺术馆
步移景异
正面性
几何原型
清水混凝土
Art Gallery
Changing Sceneries Along with Shifting Viewpoints
Main Facade
Geometric Prototype
Bare Concrete