瓦勒里欧·奥尔格亚蒂的"先将来时"建筑

Valerio Olgiati's Architecture of the Future Anterior

瓦勒里欧·奥尔格亚蒂的建筑非常引人入胜.初见时,这一吸引力来源于这些建筑的复杂性与矛盾性.但伴随着这些可见的矛盾性,奥尔格亚蒂的建筑也唤起了不可见的、难以形容的、远古的熟悉感以及不安的困惑——它们可以指向这一"吸引力"的更深处.文章旨在理解奥尔格亚蒂建筑中这一几乎不可表达的方面.在通过巴迪尔工作室这一案例分析其表面矛盾性的基础上,它还将借助法国哲学家吉尔·德勒兹所阐述的关于"图解"的理论,并参考爱尔兰画家弗兰西斯·培根的作品,试图从理论层面解析奥尔格亚蒂的建筑方法.

Valerio Olgiati's architecture is fascinating.At first sight,this fascination arises from the contradictions one faces when encountering the architecture.But along with the visible contradictions,Olgiati's architecture also has this invisible,almost inexpesible efct on people-the archival familiarity and disquieting confusion-it could be the deeper source where the fascination comes from.This essay strives to understand this inexpressible aspect of Valerio OIgiati's architecture starting with the visible contradictions,with a case study of the Bardill Studio.And it proceeds to theorize his architectural approach with the help of the French philosopher,Gilles Deleuze's notion of the"Diagram",exemplied by the works of the lrish painter,Francis Bacon.