雅克·贝汉纪录片创作的生态书写与意义重勘

纪录片试图表达的现实主义关怀往往在既定的审美风格转向之中,获得某些经验性指导的可能。因此,对纪录片类型化的审视,使得记录于影像文本之中的意义愈加凸显,且具有超越性的特质。纵观雅克·贝汉(Jacques Perrin)纪录片创作,既影响了当下生命例外状态的现实生活,具备社会学的积极反塑意义;又在一种生态美学或生命伦理的共同体构建之中,达到了伦理向善的视听震撼,兼具人文主义价值的衍生。因之,雅克·贝汉纪录影像的创作,为自然类纪录片的发展涂抹了一幅“人与自然和谐共生”“自我与社会融贯一体”“他者与群体联结表达”的创作图景,从而生发了一层基于环境伦理学或生态美学认知的纪录片创作观念。

The realistic concern that the documentary tries to express is often in the turn of the established aesthetic style, and may obtain some empirical guidance. Therefore, the examination of the typology of documentary films makes the significance of the recorded image text more prominent, and has the characteristics of transcendence. Throughout the creation of Jacques Perrin’s documentaries, it has not only affected the real life of the current exceptional state of life, but also has a sociological positive anti plastic significance;In the construction of a community of ecological aesthetics or bioethics, it has achieved the audio-visual shock of ethics towards goodness, and also derived from the value of humanism. Therefore, the creation of Jacques Behan’s documentary images smeared a picture of ecological writing and tender creation of "harmonious coexistence of man and nature" "integration of self and society" "connection and expression of others and groups" for the development of natural documentaries, especially in China’s natural documentaries, thus giving rise to a documentary creation concept based on environmental ethics or ecological aesthetics cognition.