宋代说唱音乐的艺术形式及人文思想刍议

On the Artistic Form and Humanistic Thought of Rap Music in Song Dynasty

自宋太宗始,宋朝历代统治者采取“重文轻武”“与士大夫治天下”等政策治理国家,基于这一国策,宋代工商业空前繁荣,城市迅速发展,市民阶层发展成为一股强大的社会力量,市井音乐自此登上历史舞台。于是宋杂剧、歌舞百戏、说唱艺术、等作为市井文化艺术形式代表,在民间迅速流传开来。它们迎合市民阶层的精神需求,对我国古代艺术文化的大繁荣产生了积极的推动作用,也成为当下音乐史学研究中俚俗音乐的先声。以几种宋代主流的说唱艺术形式为论述依据,探讨宋代多样化的说唱艺术内核,并以其艺术特点和传世作品并论宋代说唱艺术所独有的人文思想和精神主旨。

Since Emperor Taizong of the Song Dynasty,the rulers of all dynasties of the Song Dynasty have adopted policies such as“emphasizing literature and neglecting martial arts”and“governing the world with scholars and bureaucrats”.Based on this national policy,the industry and commerce of the Song Dynasty were unprecedentedly prosperous.With the rapid development of the city,the citizen class developed into a powerful social force.Since then,market music has stepped on the stage of history.As a result,as representatives of market culture and art forms,Song Zaju,song and dance operas,rap art etc.quickly spread among the people.They catered to the spiritual needs of the citizen class,had a positive role in promoting the great prosperity of ancient art and culture in China,and have also become the pioneer of slang music in the current study of music history.Based on several mainstream rap art forms in the Song Dynasty,this paper discusses the diversified core of rap art in the Song Dynasty,and discusses the unique humanistic thought and spiritual theme of rap art in the Song Dynasty based on its artistic characteristics and handed down works.