摘要
苏州博物馆藏《为高观察临魏晋唐宋诸书卷》是一卷董其昌临古的代表性作品,通过分析该作并结合他的书论,我们可以看出,他一方面强调系统临习古人,尤其是从书法史上关键性大家作品中汲取养分;一方面讲求脱略形迹,妙合神离,变古出新,将原本作为书法学习手段的临帖变而为书家能不同程度自由挥洒的创作方法,为其后的书法发展提供了重要参考。
The Suzhou Museum collection Lin Wei Jin Tang song Zhu zhu Scrolls is a representative work of Dong Qichang,on the one hand,he emphasized on systematically learning from the ancients,especially from the key works of everyone in the history of calligraphy;on the other hand,he stressed on the importance of getting rid of the traces,combining the spirit with the spirit,and changing the ancients into new ones,it changes the original calligraphy learning method into a free writing method for calligraphers,which provides an important reference for later calligraphy development.
作者
赵纲
李帆
张宇龙
Zhao Gang;Li Fan;Zhang Yulong(The Open University of Shaanxi,Xi’an 710119)
出处
《陕西开放大学学报》
2022年第4期63-68,共6页
Journal of The Open University of ShaanXi
基金
2021年度陕西开放大学科研课题(传统文化专项一般课题)“董其昌书学研究”(项目批准号:21CW-B01)。