傅山今体书中的篆隶笔法探究

A Probe into the Seal and Clerical Script Style of Fu Shan's Jinti Calligraphy

由于楷、行、草书的具体表现方式不同,篆隶笔法在傅山今体书中亦呈现出不同的表现方式,如在楷书中常将篆书偏旁楷化,行书中多加入隶书逆势及雁尾波挑形态,而草书则更多表现出浑圆厚劲的篆书用笔。傅山楷、行、草今体书中篆隶笔法的形成原因是多方面的,其中既有他个人对篆隶古法的推崇,又不乏晚明浪漫主义思潮影响下的“尚奇”审美意识,同时金石学兴盛带动的篆隶复兴也是傅山推崇篆隶笔法不可忽视的客观因素。

Due to the different and specific expressions of Kaishu(楷书,Regular Script),Xingshu(行书,Running Script),and Caoshu(草书,Cursive Script),the seal and clerical script style also embodies different expressions in Fu Shan's Jinti calligraphy(今体书).Such examples are as follows:In Kaishu,some Pianpangs(偏旁,the radical)of the seal script are sometimes written with Kaishu.In Xingshu,the character of Lishu(隶书,Li Calligraphy)is integrated.In Caoshu,the characteristics of Zhuanshu(篆书,Seal Script)are presented:round,thick and smooth.There are many reasons for the formation of seal and clerical script style in Fu Shan's Kaishu,Xingshu,and Caoshu,with not only his personal admiration for the ancient method of seal and clerical scripts,but also the aesthetic consciousness of"curiosity"under the influence of the romantic trend of the late Ming dynasty.Meanwhile,the revival of seal and clerical scripts driven by the prosperity of epigraphy is also an objective that cannot be ignored in Fu Shan's admiration of seal and clerical script style.