摘要
为探究传统造物在当代的延续方式,并为传统农具提出更加符合现代发展的设计策略。从传统农具的发展现状入手,以传统美学的角度分析石磨的材质之美、工艺结构之美、情怀之美以及石磨身上所具有的人物品格。再以此展开以“工艺”路径、“概念”路径、“互动”路径为主的传统造物的设计方式,推论出传统造物在当代的设计路径。该研究促使传统造物能够更好地进行现代化转化,延续传统造物的生命力。
The mill was the main tool for processing grain in China in the first half of the 20th century.By starting with the development status of traditional farm tools,analyzing the beauty of material,craft and structure and feelings contained in stone mills with the characteristics of traditional aesthetics,we can explore the design and application of modern design in these three aspects.Using the"craft"path,"concept"path,and"interactive"path to explore the contemporary reconstruction path of stone mills,according to the combination of personality and technology on the stone mills,we can find the way for traditional creation to exist in modern society.
作者
赵梦洁
马松影
李锴
ZHAO MENGJIE;MA SONGYING;LI KAI
出处
《设计》
2022年第23期11-13,共3页
Design
基金
福建省社科规划项目“福建传统坊巷的群体互动装置设计研究”(编号FJ2018B147)。
关键词
传统造物
传统农具
石磨
当代设计
再造
Traditional creations
Traditional farm tools
Stone mills
Contemporary design
Reinvention
