《宝刻类编》版本考述

Study on the Edition of Bao Ke Lei Bian

《宝刻类编》作者不明,成书于南宋末,是一本以人系碑的石刻目录书籍。其书虽有明代抄本存世,却久不见著录,几近于亡佚。四库馆臣自《永乐大典》中将其辑出后,其书经过私人录副与民间传抄,直至刘喜海将其付梓。本文著录经眼的《宝刻类编》诸抄本与刻本,并就其版本间关系进行初步梳理。其抄本綦多,关系模糊,以知不足斋批抄本与重抄李文藻本最为重要。其刻本则一脉相承,自刘喜海刻本始,经《粤雅堂丛书》而至《丛书集成新编》本。在著录并梳理版本的基础上,本文对《宝刻类编》整理工作的底本、参校本选择提出建议。

Bao Ke Lei Bian is an anonymous works.The book was written in the late period of Southern Song Dynasty,and it was a catalogue of stone tablets listed by certain people.The book has a handwritten edition of Ming Dynasty,but it is lack of attention,so Bao Ke Lei Bian is in a state of being lost until the officials of Si Ku pavilion compiled it from Yong Le Da Dian.The book has undergone transcription so there are many private copies.Liu Xihai was the first to turn it into wood-block edition.The paper records the handwritten editions and block-printed editions which can be seen,and sorts out the relationship between these editions.Handwritten editions are in a big number and it’s difficult to discuss the relationship,but the handwritten edition by Zhi Bu Zu Zhai and the copied edition by Li Wenzao are the most important.The block-printed editions of Bao Ke Lei Bian come from one continuous line:Liu Xihai’s print as the first,through Yue Ya Tang Series’edition to Cong Shu Ji Cheng Xin Bian’edition.Based on the above research,the paper offers some proposals towards the collation work of Bao Ke Lei Bian.