摘要
院本诞生于金源时期即女真人建立金国的肇始;对金院本的研究因其发生问题的迷失而成为戏剧史上的一段公案。金院本脱胎于宋杂剧,但不是宋杂剧的照搬,而是女真人创造性形成的一种新的戏剧形态。院本以女真人的审美为取向,并体现在题材、故事情节、音乐、服饰、化妆等诸方面,彰显自身的特点;院本之名亦得于本时期特定的境况;院本是金源时期最高形式的审美创造,同时也是构成和促进金源时期新文化建设的重要因素。
Yuanben was born in the Jinyuan Period,which is the beginning of the establishment of the Jin Kingdom by the Jurchens.The research on Jin Yuanben has become a public case in the history of drama because of the loss of the issue of occurrence.Jin Yuanben was originally born out of Song Zaju,but it was not a copy of Song Zaju,but a new drama form created by Jurchens.Yuanben takes the aesthetics of Jurchens as its orientation,and embodies its own characteristics in themes,storylines,music,clothing,makeup,etc.The name of Yuanben is also derived from the specific circumstances of this period.Yuanben is the highest level of aesthetic creation in the initial period of the Jin Dynasty,and it is also an important factor that constitutes and promotes the construction of the new culture in the Jinyuan Period.
作者
张福海
Zhang Fuhai(Shanghai Theater Academy,PhD Supervisor,Shanghai,200040)
出处
《民族艺术研究》
CSSCI
2022年第6期68-78,共11页
Ethnic Art Studies
基金
2017年国家社科基金后期资助项目“黑龙江地域戏曲流变史——中国北方戏曲的塞外播迁”(项目批准号:17FYS019)的阶段性研究成果。
关键词
院本
金源时期
宋杂剧
发生问题
Yuanben
the Jinyuan Period
Song Zaju
the issue of occurrence