探析点线面元素在黄海电影海报中的运用

Xplore the use of the Line and Surface Elements in the Huang Hai`s Film Poster

艺术理论家康定斯基在《艺术中的精神》中提出了点线面的概念。在视觉传达设计领域中,点线面元素通常不会独立存在。点与点的铺设、线与线的交织排列、面与面的分割,设计师通过面积对比、形状结合等方式,运用点线面的律动组成严谨的结构,带来强烈的形式感。基于“点线面”在空间大小方面的探析,深入挖掘内在“点线面”元素在黄海电影海报中的表现与运用策略。

The art theorist Kandinsky put forward the concept of point, line and plane in the Spirit of Art. In the field of visual communication design, point, line and plane elements usually do not exist independently. The laying of points, the interweaving arrangement of lines and lines, and the segmentation of surfaces. The designer uses the rhythm of points,lines and surfaces to form a rigorous structure through area comparison, shape combination, etc., bringing a strong sense of form. Based on the analysis of the space size of “point, line and plane”, the performance and application strategies of the internal “point, line and plane” elements in the Yellow Sea movie posters are deeply explored.