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论中国本土电影《那山 那人 那狗》在日本的接受

On the acceptance of the Chinese native film The Man and the Dog in the Mountain in Japan
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摘要 中国电影《那山那人那狗》于2001年引进日本,这部当年在本土票房惨淡的影片出人意外地在异域他乡大放异彩,票房一路高走,创下历史记录。该片在日本持续多年上映,至今仍有相当影响。中日两国相似的父子情感表达方式、两代人在承担家庭和社会责任上的角色转化、淳朴真挚的乡土人情以及充分融入中国传统山水绘画元素的电影视觉审美趣味等等是影片在日本被广泛接受的主要原因。 The Chinese film The Man and the Dog in the Mountain was introduced to Japan in 2001.This film,which had a poor box office at home,unexpectedly flourished in a foreign country.The box office went up all the way,setting a historical record.The film has been released in Japan for many years and still has considerable influence.The main reasons for the film’s wide acceptance in Japan are the similar expression of father-son feelings between China and Japan,the role transformation of the two generations in undertaking family and social responsibilities,the simple and sincere local customs,and the film visual aesthetic taste fully integrated with the elements of Chinese traditional landscape painting.
作者 赵冬黎 ZHAO Dong-li(Literature Reseach Section,Sophia University,ToKyo 102-8554,Japan)
出处 《湖北师范大学学报(哲学社会科学版)》 2023年第1期54-62,69,共10页 Journal of Hubei Normal University(Philosophy and Social Science)
关键词 《那山那人那狗》 父子 乡土人情 山水画 接受 The Man and the Dog in the Mountain father and son local customs landscape painting acceptance
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