中国文学研究的图像史学实践及趋势

The Practice and Trend of Image Historiography in the Study of Chinese Literature

中国文学研究界近年发掘文学史料的兴趣益增,图像史料的搜集与研究也得到一定的发展。从20世纪20年代郑振铎编写《文学大纲》开始,中国文学研究事实上已经开始了图像史学的实践,并在20世纪90年代中后期读图传统复兴后迎来了发展契机,图像史料进入文学研究著作成为新世纪中国文学研究的常见现象。中国文学研究的图像史学实践,吸收了古代左图右史传统以及西方的互文性理论,拓展了文学研究的视野,建构了文学研究的空间维度,同时图史互证方法的使用对于恢复文学史著的生命维度,以图像揭示文化史、文明史的绵延等方面具有重要意义。

In recent years,the interest of the Chinese literary research community in exploring literary historical materials has increased,and the collection and research of historical materials in images has also been developed to a certain extent.Since Zheng Zhenduo wrote the Outline of Literature in the 1920s,the Chinese literary research community has actually started the practice of image historiography,and ushered in a development opportunity after the revival of the tradition of reading pictures in the middle and late 1990s.The introduction of image historical materials into literary research works has become a common phenomenon in the field of Chinese literary research in the new era.The practice of pictorial historiography in Chinese literary research has absorbed the ancient tradition of having maps on the left and history books on the right and the western intertextuality theory,expanded the vision of literary research,and constructed the spatial dimension of literary research.At the same time,the use of the method of pictorial and historical mutual verification is of great significance in restoring the life dimension of literary historical works and revealing the continuity of cultural history and civilization history with images.