中国文人画的色彩观念探析——以“竹”题材绘画为例

Analysis on the Color Concept of Chinese Literati Painting—Take the"Bamboo"Theme Painting as an Example

竹林从“竹林七贤”的流传开始成为文人争相歌咏的对象,但是最初的“竹林七贤”图像中并没有出现“竹林”。南朝刘宋开始“竹”成为画家笔下特定的画题。本文一方面探讨了竹图像的起源,另一方面探讨了从南京陈善桥幕《竹林七贤》画像砖到北宋文同的墨竹,苏轼的朱竹,梁楷的翠竹,以及元代文人对宋代竹图像色彩的继承,从而以竹色彩为切入点探析宋代文人画的色彩观。

From the spread of the"Seven Sages of the Bamboo Forest",the bamboo forest has become the object of contention among scholars,but the original"Seven Sages of the Bamboo Forest"image did not show the"bamboo forest".In the Southern Dynasties,Liu and Song Dynasties began to use bamboo as a special subject for painters.On the one hand,this paper discusses the origin of bamboo images,on the other hand,it discusses the color concept of literati paintings in the Song Dynasty from the brick portrait of Chen Shanqiao screen's Seven Sages in the Bamboo Forest in Nanjing to the ink bamboo of Wentong in the Northern Song Dynasty,Zhu bamboo of Su Shi,green bamboo of Liang Kai,and the inheritance of the color of bamboo images in the Song Dynasty by literati in the Yuan Dynasty.