摘要
随着全球化进程的不断推进,当今的现代舞蹈处在艺术边界的超越与重建时期,而在这个重建过程中需要一个基本的审美价值标准。这个审美价值的标准,从美学的角度看,需要回到现代舞的产生处,也要回到审美接受的问题。文章试从早期现代舞被观众接受这一源头处出发,来探讨早期现代舞被接受的审美维度——基于动觉感知的审美情感和作用于艺术媒介的空间规范,进而为当代舞蹈的审美价值标准问题提供更多思考。
With the continuous advancement of globalization, today’s modern dance is in a period of transcending and reconstructing art boundaries, and a basic standard of aesthetic value is needed in this reconstruction process. From the perspective of aesthetics, this standard needs to return to the origin of modern dance and the issue of aesthetic acceptance. Starting from the initial period when early modern dance was accepted by the audience, this paper tries to explore the accepted aesthetic dimension of early modern dance, that is, the aesthetic emotion based on kinesthetic perception and the spatial norms acting on the artistic media, and then provides more thoughts on the aesthetic value standard of contemporary dance.
作者
孙文娟
SUN Wen-juan(School of Philosophy and Sociology,Shanxi University,Taiyuan 030006,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2022年第5期27-34,共8页
Journal of Beijing Dance Academy
关键词
动觉感知
艺术媒介
空间规范
早期现代舞
审美接受
kinesthetic perception
artistic medium
spatial norms
early modern dance
aesthetic acceptance