舞蹈创作视域下表演空间的应用研究

Application of Performance Spaces from the Perspective of Dance Creation

表演空间是可被舞蹈创作使用的创作材料,同时也是进入舞蹈创作的角度之一。当创作者把表演空间纳入创作的材料之中并主动对其进行理解和应用时,它就不仅仅是舞蹈发生的外部条件,也是内在因素,与身体互为限定,又相辅相成。舞蹈创作视域下,根据表演空间不同性质的内涵,文章提出三种对其进行理解和应用的框架:物理性框架、现实性框架和心理性框架,并分别从概念和内涵、作品案例分析和创作实践路径三个方面加以阐释。表演空间的三种框架提供的是观察空间和介入身体创造的不同角度。

Apart from the human body, performance spaces are also a creative material that can be used in the creation of dance, as well as one of the angles involved in the choreographic process. When choreographers incorporate performance spaces into creative materials and take the initiative to understand and apply them, they are not only the external condition of dance, but also the internal factor, which limits and complements the human body. From the perspective of dance creation, according to the connotations of different properties of performance spaces, this paper puts forward three frameworks of physical, realistic, and psychological, and explains them respectively from the aspects of concept and connotation, case study, and creative practice path. The three frameworks provide perspectives for viewing and understanding performance spaces, as well as angles from which to intervene in the creation of the human body.