以钩沉之力 发溟漠之音——《自然的亲证:啸音与乐诗研究》的思想意旨与学术范式探析

Making the Vast and Broad Voice out by the Deep Exploration:An Analysis of Ideological Intent and Academic Paradigm of The demonstration Of Nature:A Study of Whistling and music Poetry

《自然的亲证:啸音与乐诗研究》一书围绕孙广《啸旨》等文献,结合作者亲身经历,沟通文学与音乐,在证明古典文献中作为模拟音之啸与呼麦艺术名异实同的基础上,对中华啸史上的重要人物曹植、阮籍、成公绥、刘琨、李白、苏轼、乾隆弘历与啸之关系进行深细探讨,同时旁征博引啸史文献,对中国古代文献中的各种啸均作出精切阐述,贯通啸史脉络,深刻揭示出啸之文学、文化内涵。

On the basis of proving the differences and similarities between the artistic names of Whistling and Khoomei. as analog sounds in classical literature, the book, The Demonstration of Nature: A Study of Whistling and music Poetry, took the literature like Whistling Principle written by Sun Guang as the core to make a detailed discussion on the relationship between Cao Zhi, Ruan Ji, Cheng Gongsui, Liu Kun, Li Bai, Su Shi, Hong Li(emperor Qianlong) and Whistling, combining with the author’s personal experiences and making the communication between literature and music. At the same time, it makes a detailed exposition of all kinds of Whistling in ancient Chinese literature, and deeply reveals the literary and cultural connotation of Whistling through the historical context of Whistling.