园林艺术表达中的寄寓手法

The Expression Technique of Garden Art

如果将一个园林作品比拟为文章,可以发现,古今中外的园林作品也有类似文章结构中的“起、承、转、合”的脉络,假山叠石、流水喷泉、植物造景等园林要素便是丰富文章表面的辞藻。而一手好文章的写成,不仅要有优美流畅的文字,更讲究“言有尽而意无穷”的境界。文章通过对拙政园、留园等中国古典园林、西方古典园林及一些现代作品的分析,探索其中运用“寄寓”修辞而升华的美学内涵。

If a garden is compared to a paper,it can be found that the ancient and modern garden works at home and abroad also have the context of"starting,bearing,transferring and combining"in the structure of the paper.The garden elements such as rockery and stone folding,running water fountain and plant landscaping are the words that enrich the surface of the paper.The writing of a good paper should not only have beautiful and smooth words,but also pay attention to the realm of"endless words and infinite meaning".Through the analysis of Chinese classical gardens such as Humble Administrator’s garden and Liuyuan Garden,Western classical gardens and some modern works,this paper explores the aesthetic connotation sublimated by the rhetoric of"metaphor".