摘要
文章聚焦于澳大利亚作家阿列克塞·米勒的小说《浪子》中所设多重叙述视角的转换指向,通过分析不同叙事视角下叙述者对浪子“中国-澳大利亚”家族故事的叙述与重构,向读者展示文本中多视角并置叙述所产生的多重时空交错的叙事艺术效果,以及多视角所代表的多元文化对人类文化身份这一主题的思考。
This paper focuses on the transformation of multiple narrative perspectives in the novel The Ancestor Game by the Australian writer Alex Miller.By analyzing the narrators’narrative content and reconstruction of the story of the“China-Australia”family of Langzi from different narrative perspectives,the paper reveals the readers the narrative aesthetic effect of multiple space-time interlaced by the juxtaposition of multiple perspectives in the text,as well as the multi cultural thinking on the theme of human cultural identity represented by multiple perspectives.
作者
陈丽君
CHEN Li-jun(Anhui Vocational College of Press and Publishing,Hefei 230601,China)
出处
《安徽水利水电职业技术学院学报》
2022年第4期92-96,共5页
Journal of Anhui Technical College of Water Resources and Hydroelectric Power
基金
安徽省新闻出版职业技术学院院级人文社科研究项目(PX-17721447)。
关键词
《浪子》
叙述视角
表达艺术
文化身份
The Ancestor Game
multiple-level narrative perspective
aesthetic expression
cultural identity