摘要
“拍弹”是盛行于唐代的一种表演伎艺,有“转喉”“新声”“自度曲”“连声作词”“弄媚眼”“作头脑”等创作和表演特征,能达到音调凄折,催人泪下的艺术效果。作者认为,“拍弹”是一项具有西域渊源的伎艺,其形成经历了一段时间的渐变,是众多乐人共同的创作。
“Paitan”is a kind of performance technique that prevailed in the Tang Dynasty,it was jointly created by many musicians and its formation has gone through a period of gradual changes.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2022年第3期83-89,168,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
唐代
乐人
拍弹
表演伎艺
Tang Dynasty
musicians
Paitan
performing technique
