摘要
话剧是根据我国社会变革的需求应运而生的,对中国传统戏曲的现代化演变起到了推波助澜的作用。本文以话剧引入西藏前后藏戏舞台美术的发展形态为脉络,从广场演剧形态、步入剧场的新时空、到新世纪的多元化舞台三个阶段来阐述藏戏的现代化发展进程,以及话剧对藏戏舞台美术的影响与冲击,为藏戏舞美未来的发展提出些许思考。
This paper focus on the drama comes into being according to the needs of social reform in China,and it plays a boosting role in the modernization of Chinese traditional operas.And the drama is based on the introduc-tion of the development of Tibet and Tibetan opera stage art form as the context,from the square play pattern,it's become the new time and space,to the diversity of the new century theatre stage,there are three stages to elaborate the process of modernization of Tibetan opera,with the impact and the influence of drama to Tibetan opera stage art,put forward some thinking for the future development with the stage of Tibetan opera.
出处
《西藏艺术研究》
2022年第3期72-78,共7页
Tibetan Art Studies
关键词
藏戏
话剧舞台美术
Tibetan opera
Drama
Art of Stage