从《不准出生的人》到《八廓街北院》——浅谈两剧的创作特色与西藏本土话剧的创作生态

Study on the Not Allowed to be Born to North Yard of Barkhor Street——A Brief Discussion on the Creative Characteristics of the two Plays and the Creative Ecology of TibetanLocal Drama

西藏话剧团因地缘文化、民族信仰、哲学传统等与内地地区的迥异,其戏剧创作也在内容、背景乃至性格、关系上呈现出浓厚的异域色彩与鲜明的民族特色。无论是剧团自1962年起的保留剧目《不准出生的人》还是2018年首演的改革开放40周年献礼话剧《八廓街北院》,都是用民族形式刻画民族生活的精彩作品。从中不仅能品味出历史的沧桑巨变与党同人民的鱼水之情,亦能折射出西藏地区高原文化身份的建构,以及内地文化、观众对于西藏本土戏剧的“他者性”凝视。

This article is mainly discussed on the reasons of the geographical culture,ethnic beliefs,philosophical traditions and other different from the inland areas,the drama creation of Tibetan Opera Troupe,it is also shows strong exotic color and distinctive national characteristics in the content,background,character and relationship.It is also both the company's repertoire from 1962,People Not Allowed to be Born,and the drama North Yard of Barkhor Street,premiered in 2018 as a tribute to the 40th anniversary of reform and opening-up,are wonderful works that depict ethnic life in ethnic forms.It can not only taste the vicissitudes of history and the relationship between the party and the people,but also reflect the construction of plateau cultural identity in Tibet,as well as the mainland culture and the audience's gaze on the"other"of Tibetan local drama.