摘要
文章通过对上海戏剧学院2017级西藏班实习演出《暴风雨》排演过程的介绍和反思,总结出来自西方文化的莎士比亚戏剧与中国传统戏剧作品中“向善”“大团圆”等戏剧思想,在文化上有契合之处。作者在戏剧的处理表达上充分融合汉藏文化符号,调动舞台、灯光、音乐等多种演出手段培养藏族班的学生理解演出文本与创作者的生活情感之间的关系。
This article is mainly through the introduction and reflection of the rehearsal process of the play named as the Tempest by Shakespeare,the internship performance of Tibet Class of Shanghai Theatre Academy in 2017,the paper concludes that there are cultural similarities between Shakespeare's plays from Western culture and the drama ideas of"being good"and"happy reunion"in Chinese traditional drama works.In the process and expression of the drama,the author fully integrates the symbols of Chinese and Tibetan culture,and trains the Tibetan class students to understand the relationship between the performance text and the life emotion of the creator by using stage,lighting,music and other performance means.
出处
《西藏艺术研究》
2022年第3期103-107,共5页
Tibetan Art Studies
关键词
话剧民族化
文化融合
莎剧文本
Nationalization of drama
Cultural integration
Shakespearean play