摘要
“一剧之本写人生百态。如果说舞台是演员们的领地,那么舞台之下的百态人生就是编剧的领地”。2022年,正值西藏自治区成立60年,笔者有幸电话访谈到西藏自治区话剧团创研室主任、国家一级编剧、藏汉双语作家尼玛顿珠,在娓娓道来的访谈间一起回顾了他的编剧从业历程以及他对西藏话剧的一些展望,尼玛顿珠凭借他对文学创作的一片赤诚,造就了他在编剧事业上的“情满草原”,他用自己坚实的书写为西藏话剧事业发展贡献出一份不容小觑的力量,访谈中对谈他对西藏话剧的现状问题也提出自己独到的见解,并为西藏话剧未来的方向给予了切实的期望,在西藏话剧团成立60周年之际,这是一次感触颇深、受益良多的对谈。
This article is about the book of a play is about life.If the stage is the domain of the actors,the life under the stage is the domain of the screenwriter.In 2022,during the Tibet Autonomous Region was founded 60 years,the author had the privilege of telephone interviews to the research department of the Tibet Autonomous Region drama group,national first-level screenwriter,Tibetan-Chinese bilingual writers Mr.Nyima Dundrub,who is the teacher explain the interview between the screenwriters are reviewed together working process and the prospect of some of his Tibetan drama,Nyima Dundrb writers with a bona fides of his literary creation,this is made his career in the writers of Full of Love in Grassland,he used his solid writing contribute to the development of Tibet drama a force to be reckoned with the conversation he present situation of Tibetan drama which is also put forward his original ideas,and drama in the direction of the future for Tibet gave real expectations,in the 60th anniversary of the Tibetan drama group,it was a deeply felt and beneficial conversation.
作者
崔晓梅
尼玛次仁
CUI Xiao-mei;Nyima Tsering
出处
《西藏艺术研究》
2022年第3期113-119,共7页
Tibetan Art Studies
关键词
编剧访谈
尼玛顿珠
西藏话剧
Scriptwriter interview
Nyima Dundrub
Tibetan drama