摘要
纵观美术历史,每一次变革都少不了画家对客观世界的认识革新,从文艺复兴对透视解剖的初入理解,到印象主义光学普及等等,随着认识的深入,绘画表现的形式也更加丰富和“自由”,分析绘画认识过程是必要的,在认识的基础上提炼出绘画语言也更具有说服力。本文从中西方美术理论中分析认识客观事物对绘画的作用,并浅析提炼的过程。
Throughout the history of art,every change is indispensable for the painter's cognitive innovation of the objective world.From the Renaissance's initial understanding of perspective anatomy to the popularisation of impressionist optics,etc.,with the deepening of cognition,the forms of painting expression are also richer and“free”.It is necessary to analyse the painting cognition process.It is also more convincing to refine the painting language on the basis of cognition.This paper analyses and understands the role of objective things in painting from Chinese and Western art theories,and briefly analyses the process of refinement.
作者
周丹锴
ZHOU Dankai(Xinjiang Academy of Arts,Urumqi 830049,China)
出处
《鞋类工艺与设计》
2022年第24期123-125,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
认识论
模仿
提炼
epistemology
imitation
refining