传统与现代的重构——对矶崎新《建筑中的日本性》的解读

Reconstruction of Tradition and Modernity: An Interpretation of Arata Isozaki’s Japan-ness in Architecture

本文围绕矶崎新在《建筑中的日本性》一书中对桂离宫、伊势神宫、东大寺南大门的论述进行解读,分析矶崎新如何延续几代人将3个传统建筑作为“问题机制”考察其背后的日本性和现代性,作为对时代的回应;并试图揭示其在日本现代进程中的意义,及其个人作品所呈现的对传统的继承与反叛。

This paper focuses on Arata Isozaki’s discussion of Katsura, Ise, and the South Gate of Todaiji in the book Japan-ness in Architecture, and analyses how Isozaki uses the three traditional buildings as "Problem Mechanism" to examine the Japan-ness and modernity behind it as a response to his era. Attempts are also made to reveal its significance in the process of Japanese modernity, and the inheritance and rebellion against tradition presented in his practical works.