走向非透视空间:王澍建筑草图中的平行投影

Towards A-Perspectival Space:Parallel Projection in Wang Shu's Architectural Sketches

首先,通过投影机制比较,指出斜向与轴测两种平行投影的异同。其次,以王澍1980-2010年代的设计制图为线索,探讨其平行投影画法的关键转变,并解释画法转变与“从局部开始”的空间组织策略的关联。最后,对王澍的滕头案例馆(2008-2009)、中国美术学院象山校区二期(2004-2008)设计草图展开分析,指出拼贴与重构是王澍化解几何投影同质性、建构非透视性空间的手段。

First,by examining the evolution of Wang Shu’s oblique drawings from the 1980s to the 2010s,this paper identifies a key methodical change in his uses of this technique,namely the shift from plan-obliques to elevation-obliques.This paper also highlights the inherent link between Wang’s change in drawing method and his "starting from the section" strategy for spatial organisation.Second,through a close reading of Wang’s design sketches for the Tengtou Pavilion(2008-2009) and the Xiangshan Campus of the China Academy of Art,Phase II(2004-2008),this paper analyses his two specific approaches to critical ada ptations of parallel projection:collaging and reconfiguring.