摘要
在图像的物质性与时空性视角下,大理白族民居彩绘图像艺术极具在地性,它作为一种地方性公共知识体系已然被嵌入于白族社会生活的诸多领域。在物质性方面,其在地性突出地体现于不同类型特点的图像文本内容与表现形式上;在空间性方面,其在地性与特定的地理环境、人文环境与白族民居建筑相关;在时间性方面,其在地性呈现出历史演进中对当地社会生活意义与功能不断扩展的整体面貌。对民族民间艺术在地性的生成逻辑与内涵意义的阐释,对于发挥民族民间艺术在强化中华民族文化认同中的作用具有重要价值。
From the perspective of materiality and space-time of images,the image art of Dali Bai people’s folk house painting is of extreme locality.As a local public knowledge system,it has been embedded in many fields of Bai social life.In the aspect of materiality,it is embodied into different types of image text content and expression form.In terms of space,its locality is related to the specific geographical environment,cultural environment and Bai folk houses.In terms of timeliness,it shows the overall appearance expanding in the meaning and function of local social life in the historical evolution.The interpretation of the generative logic and connotative meaning of national folk art in the locality is of great value to give play to the role of national folk art in strengthening the cultural identity of the Chinese nation.
作者
刘敏
Liu Min(College of Art,Dali University,Dali,Yunnan 671003,China)
出处
《大理大学学报》
2023年第1期8-14,共7页
Journal of Dali University
基金
云南省哲学社会科学艺术科学规划项目(A2021YS15)。
关键词
大理白族民居
彩绘图像艺术
在地性
Dali Bai folk house
the image art of painting
locality