汉砚的离奇谲怪之美

Unique and Extraordinary Beauty of Han Dynasty Ink-stone

汉代虽为砚台发展的初始阶段,但其纹饰种类和形制样式都善于将审美意象寄托于宗教巫术的图式中,即祥瑞图式中。其表达方式也旨在突出物象超现实的、陌生化的审美特质。除此之外,汉砚形制、纹饰对生命形象的客观模拟和主观臆想,也由内而外的涌动出基于生命节奏的审美主客体关系。加之礼器之用的功能需求,使得神秘而浪漫的瑰丽色彩作为意识流左右着人们的造砚准则。因此,离奇谲怪便成为汉砚最主要的审美特征被总结出来。

Although the Han Dynasty was the initial period of the ink-stone’s development,its decorative types and design forms were good at placing aesthetic images in the schema of religious witchcraft,that is,auspicious schema.Its expression also aims to highlight the aesthetic feature of highly unfamiliar images.In addition,the objective simulation and subjective imagination of the design form and ornamentation of Han dynasty’s ink-stone also surge out the subject and object aesthetic relationship,which is based on the rhythm of life.Together with the functional requirements of ritual vessels,it makes a stream of mysterious and romantic consciousness affect people’s making standard.Therefore,‘bizarre and strange beauty" of Han dynasty’s ink-stone sum up as the main aesthetic feature different from the other period.