论阿吉拉姆戏剧艺术的流传与流变——兼论藏族戏剧艺术的多元化和多样性

On the Spread and Evolution of AjeLhamo’s Dramatic Art--Also on the Pluralism and Diversity of Tibetan Dramatic Art

阿吉拉姆作为藏族传统戏剧艺术最具代表性和最具影响力的剧种,在孕育、成型、发展过程中,与扎西雪巴等民间仪式性表演艺术形成互鉴融合的同时,经过跨区域甚至不同民族和族群间的流传,还促成了基于当地风韵的新的戏剧流派或新的戏剧剧种,呈现出同源同态的传承和同源异态的流变以及异源异态的创新等多种样态。

AjeLhamo(A-ce lha-mo),the Tibetan opera,is the most representative and most influential one among the types of traditional Tibetan drama.In the process of its birth,formation and development,AjeLhamo has achieved its spread across regions and ethnic groups through its integration with Tashi Shoba(Bkra-shiszholpa),a folk ritual performance art.Further more,it has also contributed to the formation of new dramatic schools or genres based on their local features,presenting a variety of patterns of inheritance and innovation,such as sim⁃ilar forms with common origin,different forms with common origin,different forms with different origins,etc.