摘要
借助现存的古代纺织品和相关文献,运用潘诺夫斯基图像学研究方法,分析孔雀图像在纺织品中传播的独特形式,梳理其程式化的主题寓意,从而解码孔雀图像创作的设计意蕴,研究认为由于古人所在时代和地域背景的影响,在动态的时代语境中演绎出多元化的孔雀形象,体现了世界文化的多样性,以及在人与自然和谐的设计趋势下有助于传统孔雀纹样创新。
With the help of extant ancient textiles and related literature,the unique forms of peacock images transmitted in textiles were analyzed using Pannofsky′s iconographic research method.Their programmed thematic meanings were sorted out,so as to decode the design implications of peacock image creation.It was concluded that due to the influence of ancient people′s time and regional background,diverse peacock images were interpreted in the dynamic context of the times,reflecting the diversity of world culture.The design trend of harmony between man and nature contributed to the innovation of traditional peacock motifs.
作者
钟璐
林莎莎
ZHONG Lu;LIN Shasha(Artand Clothing Design Institute,Sichuan Normal University,Chengdu 610100,China)
出处
《纺织科技进展》
CAS
2022年第12期47-50,59,共5页
Progress in Textile Science & Technology