巴东“长江峡江号子”的保护传承实践调查研究

Investigation and Study on the Conservation and Inheritance of Badong’s“Changjiang Xiajiang Haozi”

巴东“长江峡江号子”作为长江水系音乐的重要组成部分,其于历史语境中结晶化为特定区域之代表性的音乐文化,它言明了音乐、文化、地域、精神等数者之间密切关联性特征,同时表征了人类生命于特定历史情势之下的存在及活动。如何于超越功利性之余在传承与发扬之间协同、构建一个较为完善之体系,这将是在历史、现实与未来打通此音乐文化脉络并展示文化自信的关键点,同时也是认识人本身于音乐文化语境中生命力的重要维度。在音乐文化主、客双重视域之中突破文化自身的跨域局限,进而延展至文化解释学下客观语境的最大范围之中,并力求在包容他者的实践途径中找寻到音乐文化当下及未来生存发展范式的活水源头。

As an important part of the music of the Yangtze River system,Badong’s"Changjiang Xiajiang Haozi"crystallizes into a representative music culture of a specific region in the historical context.It expresses the close correlation characteristics among music,culture,region and spirit,and represents the existence and activities of human life under a specific historical situation.How to build a relatively perfect system in coordination between inheritance and development while surpassing utilitarianism will be the key point to open up the context of music and show cultural self-confidence in history,reality and future.At the same time,it is also an important dimension to understand the vitality of human beings in the context of music culture From the dual perspective of objectivity,it breaks through the cross domain limitations of culture itself and extends to the maximization of objective context under cultural hermeneutics,and strives to find the"living water source"of the survival and development paradigm of music culture in the practical way of inclusiveness of others.