中国舞蹈人类学研究热点透视(2017—2021)

On the Research Highlights of Chinese Dance Anthropology (2017-2021)

舞蹈人类学是继西方民族音乐学形成与发展之后建构而成的一种舞蹈学科研究,同时它受到文化人类学理论流派的影响,将舞蹈本体的生成过程置于特定的文化语境进行观察,且将舞蹈作为一种文化现象进行互动研究。国内舞蹈人类学研究主要关注六个热点问题:一、“民族舞蹈学”跨学科的理论建构;二、后现代主义视域下的舞蹈人类学民族志书写范式;三、不同表演情景中的舞蹈身份重建与文化变迁研究;四、表演语境中的舞蹈文化身份认同研究;五、舞蹈身体与民俗现象的互文性研究;六、舞蹈文化构建与政治互动关系。跨学科互动交叉研究作为国内舞蹈学理论研究的一个新的学术增长点,成为当下中国舞蹈人类学的主要研究趋势,并在此基础上形成集“田野工作、教学与舞台艺术实践、跨学科思维、学术研究”为一体的理论与实践相结合的研究理路。

Dance anthropology is a kind of dance discipline research constructed after the formation and development of western ethnomusicology. Meanwhile, it is influenced by the theoretical schools of cultural anthropology, which put the development of the dance itself in a specific cultural context for observation, and make an interactive study of dance as a cultural phenomenon. The research of dance anthropology in China mainly focuses on the following six aspects.(1) “ethnochoreology” as an interdisciplinary theoretical construction;(2) the writing paradigm of dance anthropology in the postmodern perspective;(3) the research on identity reconstruction and cultural changes in different contexts of dance performance;(4) the research on the identification of dance culture in the performing context;(5) the intertextual research of dancers’ bodies and folk customs;(6) the interaction between dance-culture construction and politics. As a new academic highlight of domestic dance theory research, the interdisciplinary research has become the main research trend of Chinese dance anthropology at present, and on this basis, there forms a research approach integrating theory and practice of “fieldwork, teaching and stage practice, interdisciplinary thinking, and academic research”.