笔触作为可见的现象——对伦勃朗绘画的一次现象学阐释

Brushstrokes as Visible Phenomena: A Phenomenological Interpretation of Rembrandt’s Paintings

荷兰画家伦勃朗的晚期作品呈现出一个显著的特点,即粗糙的笔触。从现象学角度来看,粗糙的笔触作为一个可见的现象在对绘画的视觉感知中发挥着重要的作用。在伦勃朗的作品中,现实的笔触的显现与非现实的物象的显现处于一种相互争执的关系当中。其绘画的意义就在这两种显现的相互作用中得以生成。

The late works of Rembrandt, a Dutch painter, display a remarkable feature, that is, the rough brushwork. From the perspective of phenomenology, rough strokes play an important role in the visual perception of painting as a visible phenomenon. In Rembrandt’s works, the representation of the realistic brushwork and that of the imaginary objects are in an opposing relationship. The significance of his paintings is generated in the interaction of these two representations.