论梨园戏《蔡文姬》中的人性化书写

Humanitarian Writing in the Liyuan Opera Cai Wenji

泉州籍国家一级编剧王仁杰在新世纪初创作了梨园戏《蔡文姬》的剧本,用人性化的书写生动塑造了东汉末年的女性人物蔡文姬。全剧充满人文关怀,闪烁着人文精神。在这一部新编历史剧中,不仅可以从蔡文姬这一女性人物身上看到她所陷入的情感泥淖与文化困境,还可以从中探讨王仁杰所践行的“返本开新”的创作理念。

The Liyuan Opera Cai Wenji was created by Wang Renjie, a national-level scriptwriter of Quanzhou origin, at the beginning of the 21st century. Its heroine Cai Wenji of the late Eastern Han Dynasty was portayed with humanitarian writing, which makes the opera full of humanistic care and stand out with humanistic spirit. The adapted historical drama was not only a display of the creative concept of “returning to the original and opening up the new” practiced by Wang Renjie, but also disclosure of the emotional quagmire and cultural dilemma that Cai Wenji fell into.