当代音乐家研究中的口述史路径:意义、理论与方法--基于对藏族音乐学家边多口述史研究的思考

Oral History Paths in Contemporary Musician Research:Meaning,Theory and Methods-Based on The Study of The Oral History of The Tibetan Musicologist,Bianduo

当前,口述史越来越受到国内学者的重视。其研究领域涉及社会的方方面面,在历史与当下的接通、民间非遗的保护、大小传统的互渗比对中,均发挥着重要作用。口述史的研究方法不仅广泛应用于历史学、人类学、社会学等学科领域,而且在大学科的学术背景下,受各学科方法论的影响,口述史在当代音乐家研究中也日益成为一个重要的研究方法和佐证手段。该文旨在通过对口述史实践的梳理和思考,探讨口述史对当代音乐家研究的重要意义及其理论与方法。

At present,oral history is being paid more and more attention by domestic scholars.Its research field involves all aspects of the society,and plays an important role in the connection between history and the present,the protection of folk intangible cultural heritage,and the mutual infiltration and comparison between large and small traditions.The research method of oral history is not only widely used in history,anthropology,sociology and other disciplines,but also under the academic background of the methodology of various disciplines,oral history has increasingly become an important research method and supporting means in the study of contemporary musicians.This article aims to explore the significance of oral history to the study of contemporary musicians,as well as its theories and methods,by sorting out and thinking about the practice of oral history.