多元融汇与共生——敦煌盛唐菩萨像服饰造型特征研究

Pluralistic Integration and Symbiosis:A study on the Characteristics of Clothing Modeling of Bodhisattva Statues in Dunhuang Grottoes During the Flourish Tang Dynasty

敦煌石窟盛唐壁画及彩塑中遗存大量菩萨像,历史悠久,数量庞大且序列完整,形态变化丰富,多数菩萨像的服饰形制及图案、色彩保存完好,不仅在前期基础上进行了继承与相应发展,其造型、纹样、色彩的丰富变化对中晚唐及后期菩萨像服饰起到了重要范式作用。从中展现出大唐文化背景下独特的审美观念及时代特征,宗教性、民族性与世俗化之间的有序互动与融合,对探究多元文化及多民族文化的交融互动具有重要价值。

The images of Bodhisattva in the murals and painted sculptures of the Flourish Tang Dynasty in Dunhuang Grottoes have a long history, a large number, complete sequence, and rich morphological changes. The shape, pattern, and color of clothing of most Bodhisattva statues are well preserved, which not only inherited and developed accordingly on the basis of the early stage but also played an important role in the clothing of Bodhisattva statues in the middle and late Tang Dynasty and the late period. It shows the unique aesthetic perception and characteristics of the Times under the background of the Tang culture, and the orderly interaction and integration between religion, nationality, and secularization, which is of great value to explore the integration and interaction of multi-culture and multi-ethnic culture.