安杰利科《圣母领报》中的观念与物质

The Theology and Material Culture in Fra Angelico’s Annunciation

安杰利科是15世纪的著名画家,也是学识和修养很高的修士。他的多幅《圣母领报》把“道成肉身”的观念充分表现于作品之中,并根据空间和观者作了不同表达。他第一次将“堕落”的场景和充满象征意义的“封闭的花园”的意象与“圣母领报”结合在一起,赋予作品丰富的意义,被学生模仿和效法。一向被认为是安杰利科作品的帕莱多的《圣母领报》被法国艺术史家阿拉斯根据意象的象征意义分析为其学生马基雅维利的作品,本文指出其分析的错误,并以他的另一位学生扎诺比·斯特罗齐的《圣母领报》对比分析得出后者才是其作者。由此表明在艺术史的研究中观念与物质文化结合在一起的重要性。

Fra Angelico was a famous painter of the 15th century, and a highly educated and cultured monk. Many of his paintings of the Annunciation fully express the concept of "incarnation" in his works and make different expressions according to the space and the viewer. For the first time, he combined the "the fall of man" scene and the imagery of the "enclosed garden" full of symbolism with the Annunciation. For the first time, he combined the scene of "depravity" and the image of a "closed garden" full of symbolic meaning with the Annunciatio n, endowing the work with rich meaning, which was imitated by his students. Prado’s Annunciation, which has always been considered to be Angelico’s work, was analyzed by the French art historian Daniel Arasse as the work of his student Machiavelli based on the symbolic meaning of the image. A comparative analysis of the Annunciation by another student of his, Zanobi Strozzi, showed that he was the author of the Annunciation. This showed the importance of combining ideas with material culture in studying art history.